Kate Winslet finds it hard to make time for herself without “feeling guilty about it”.
The Revolutionary Road actress devotes so much time to her children — 10-year-old Mia, her daughter with first husband Jim Threapleton, and seven-year-old Joe, her son with second spouse Sam Mendes, who she split from in March 2010 — she has joked she has forgotten how to “sit down”, and has to force herself to make time to just relax.
She said in an interview with Britain’s HELLO! magazine: “Any mother knows the last person you think about is yourself. I’ve been a mother for 10 years and I’m still trying to figure out how to give time to myself without feeling guilty about it.
“Sometimes I’ll sit down and I’ll go, ‘Oh it’s just nice to sit down,’ because truly, I’ve forgotten how to do that.
“You forget to sit down and not worry about what needs to be done for the kids, just take time for yourself and pick up a book or read a recipe. I tell myself ‘Just. Sit. Down.’ it’s a challenge.”
Kate, 35, also revealed she is enjoying her 30s and feels much more secure in herself and prepared for the challenges of life than she did in her 20s.
She added: “I think that for a lot of women, our 20s are a time of really figuring things out and figuring out what we’re really about. Of course, at the time, we think we know exactly who we are, we think we’ve done all the growing emotionally . And then along come our 30s and it’s all different again.
“I’m really enjoying my 30s, actually. I have so much more life experience than I did when I was 25 and that’s a real luxury.”
Source: The Independent

















Painstakingly constructed settings are usually reserved for epic science fiction fantasies where directors have unparalleled freedom to create digital environments, but there are no superheroes in a Todd Haynes film — just empathetic, flawed human beings acting out their lives in minute period detail. Haynes became a cult icon when his 43-minute short film Superstar (1987), the tragic saga of anorexic pop star Karen Carpenter told using Barbie dolls, was banned from circulation because of copyright issues. (Bootleg copies can still be viewed on YouTube.) Haynes, who was born in Los Angeles in 1961, has been tweaking societal conventions ever since. As a pivotal member of the New Queer Cinema movement, he enraged conservative politicians with frank depictions of gay sex in Poison (1991), then upended his own audience’s expectations four years later, with the jarring hypochondriac drama Safe (1995). Subsequent films such as Velvet Goldmine (1998), Far From Heaven (2002), and I’m Not There (2007) manage to embrace both experimental and formal aims, like academic theses wrapped in sweeping, melodramatic arcs. Throughout his career, the director has explored how women have navigated visible and invisible levers of power. “I’m drawn to female characters,” he tells Kate Winslet, his self-professed “other Coen brother” and star and co-producer of his new HBO miniseries, Mildred Pierce. “And not all of them are strong characters.” Airing this spring, the five-part miniseries tells the story based on the novel by James M. Cain, of a resilient but imperfect woman who struggles to raise a family in Great Depression–era Los Angeles. Winslet recently spoke with Haynes, who was at his home in Portland, Oregon, about, among other things, Mildred Pierce, why he’s never made a film set in the contemporary world, and the challenge of letting things go.

Mildred Pierce
Contagion
Carnage
Guernsey
Titanic (3D)
Movie 43






